Darkroom Printing
Hands-on analogue printing with real tray rhythm.
Learn how a negative becomes a print you can hold. We cover black-and-white gelatin silver work, colour C-Print processes, toning decisions, and how to choose fibre-based paper when permanence matters. Ever stood in front of a first decent print and felt the room go quiet? That’s the benchmark.
What you'll practise
- Black & white gelatin silver printing
- Colour C-Print workflow and control
- Toning and archival finishing
Equipment provided
- Beseler enlargers
- Epson scanners
- Safe-light stations and chemistry guidance
Typical flow
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1
Expose and evaluate
Read the negative, then choose contrast and exposure with intent.
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2
Print and refine
Adjust dodging, burning and paper choice until the image settles.
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3
Tone for mood
Sepia, selenium or another finish can change the emotional register completely.